Saturday, 3 August 2013
Actor Cha Seung Won’s Son Accused of Sexually Assaulting a Minor
Son of actor Cha Seung Won (“Greatest Love” and “Athena: Goddess of War”), Cha No Ah, has been accused of sexually assaulting a minor. Cha No Ah is 24 years old, and the high school student “A” he is charged of sexually assaulting is 19.
On August 2 KST, the Central Seoul Prosecutor’s Office reported that it has received the charges brought up by high school student “A” against Cha No Ah for holding her in an officetel and sexually assaulting her.
Cha Seung Won’s son Cha No Ah was a pro-gamer in the LG-IM sponsored team Lead of Legend (LOL). He is currently no longer part of the team.
Following the news of this controversy, Cha No Ah’s previous indictment for smoking marijuana this past March is being brought to the spotlight again.
The legal representative of “A” revealed that the charge was submitted on August 1 against Cha No Ah, whom the student claims assaulted her numerous times between April and until very recently after holding her in his grandfather’s vacation home or officetel.
Cha No Ah’s side is denying the charges, saying that all he did was date her.
The Prosecutor’s Office will look over the charges and send it to the police to start investigations early next week.
soompi
KBS on JYJ’s TV Appearance: “Each Show Will Decide Independently”
Following the Fair Trade Commission (FTC) sanction against SM Entertainment and the KFPCAI for interfering with JYJ‘s broadcasting rights and promotions, forums for SBS’s “Inkigayo,” MBC’s “Show! Music Core” and KBS’s “Music Bank”
started to overflow with viewer requests for Junsu’s appearance. Junsu
recently released his second full-length solo album, and fans wanted
Junsu to be able to promote the album on TV.
There was silence on the part of these shows, but KBS has finally made an official statement. The variety/entertainment department of the network stated, “We understand the sanction issued by the FTC against SM Entertainment and the KFPCAI, but the people in charge of each program make the decisions independently regarding the appearance of singers on programs. Each show independently casts singers or other celebrities.”
In sum, KBS as a whole cannot or will not make a network-wide decision regarding JYJ’s TV appearance. As it was stated before by a source in the music industry, “No matter how bad the viewership ratings are, the music program PD has the most power,” and “If rookie artists want to be on the show, they need to personally meet the PD, which is said to be more difficult than recording an album. With this kind of system, there’s no reason for the PD to really pay attention to JYJ.”
What do you think, Soompiers? Should KBS as a whole take action or can anything else be done to solve the issue of JYJ’s TV appearance?
There was silence on the part of these shows, but KBS has finally made an official statement. The variety/entertainment department of the network stated, “We understand the sanction issued by the FTC against SM Entertainment and the KFPCAI, but the people in charge of each program make the decisions independently regarding the appearance of singers on programs. Each show independently casts singers or other celebrities.”
In sum, KBS as a whole cannot or will not make a network-wide decision regarding JYJ’s TV appearance. As it was stated before by a source in the music industry, “No matter how bad the viewership ratings are, the music program PD has the most power,” and “If rookie artists want to be on the show, they need to personally meet the PD, which is said to be more difficult than recording an album. With this kind of system, there’s no reason for the PD to really pay attention to JYJ.”
What do you think, Soompiers? Should KBS as a whole take action or can anything else be done to solve the issue of JYJ’s TV appearance?
soompi
2PM Nichkhun’s Black and White Photo Revealed
A casual black and white photo was taken of 2PM's Nichkhun and Chinese drama director, but it looks like it could be from a professional photo shoot.
On August 2 Nichkhun uploaded a photo onto Weibo (China's own SNS, similar to 'Twitter') with the caption, 'With Zhang Linzi! Well done yesterday! Fighting today as well!'
In this photo you can see a casual Nichkhun and Zhang Linzi, the Chinese director of the drama 'One and a Half Summer.' The director is comfortably sitting on a bike, and Nichkhun is behind him with a beaming smile on his face.
Netizens who saw this black and white photo commented, 'Nichkhun looks so good that he's almost radiant in this dark photo,' 'Nichkhun is so attractive he can make any photo look like a professional photo shoot,' 'The two people look so comfortable and natural with each other,' and 'It's cute how Nichkhun is sitting behind the director on the bike.'
Meanwhile, Nichkhun has been busy filming for the Chinese drama 'One and a Half Summer.' He is playing the role of Jang Ho, a student from America who returns to China to find the girl he loves. It is a story of love and friendship and dreams.
kpopstarz
TVXQ 'Live Tour 2013' Finale To Be Aired Live In 31 Theaters Across Japan
Big news for Japanese TVXQ fans! The final show of the popular Korean pop duo's Japanese tour will air live in movie theaters across the country.
The finale for the TVXQ! Live Tour 2013 TIME will be held on August 17 and 18 with the second night going on air live in 31 different movie theaters around Japan, according to the group's official website.
The highly anticipated live show will be held at the International Stadium Yokohama, the biggest arena in Japan which can hold 75,000 people.
The K-Pop idol group will be the first Korean artist to perform at the venue which is also known as Nissan Stadium. Only 14 musical acts have ever performed there.
TVXQ has already attracted 700,000 attendees to their Live Tour 2013, a five-dome tour in Japan. They kicked things off on April 27 in the Saitama Arena and finished with three nights of performances atteh Tokyo Dome June 15 to 17.
The theater showings of the final concert will be able to reach thousands more fans who are unable to attend the show in person.
kpopstarz
K-pop Guy Crushes and their Perfect Imperfections
This might be altogether reckless. But I say that as though it's stopped me before. It rarely ever has - so hear me out:
Our culture conditions us to expect a perfect romantic partner for ourselves. And with that kind of lofty anticipation hanging over our heads, it's easy to forget that finding "the one" isn't so much a matter of finding someone who is perfect, as it is a matter of finding someone who's flaws you can grow to love.
Given how much attachment terrifies me, my subconscious will find enough reasons for me to wiggle my way out of commitment while the deal is still on the table. And it usually does so by amplifying the guy's flaws.
Reflect on some of your male K-pop biases. They're ideal, but for what reasons?
Infatuation over their genetically superior faces or voices that bring to mind a million singing angels can only last for so long. Rather, it's the baggage they carry that makes them that much more interesting.
And by baggage, I don't mean this type:
Think more laterally. Having a certain image to uphold can't ever excuse K-pop idols from being... well, human. They have just as much baggage as the rest of us - just as many issues, traumas, and deep-set flaws, that, by some freakish workings of our embedded psyche, we find senselessly fascinating.
So here's to the flaws, to the imperfection of K-pop's finest men. Here's to my K-pop guy crushes and their nuanced eccentricities. And not just the quirks I tolerate, but the quirks I've grown to love.
Eunhyuk
Eunhyuk so fittingly received the nickname anchovy because of his skinny silhouette. It's certainly a clever and appropriate moniker for the Super Junior member given his slender frame, but admittedly, that's not all there is to him. For one thing, he doesn't look like anyone else in the industry, which isn't something many idols can say nowadays. He also has one of those infectious
(If that were ever the case, the chances of my suffocating against his pecs would have a less than a 1% failure rate. How embarrassing would it be for people to recognize you as the girl who died pressed against unnaturally large moobs...? Awful).
T.O.P
In an environment where male idols fling off their shirts more frequently than girls go through meals when they're on their
In the meantime, here's just about as close we'll get to in seeing T.O.P sleeveless utilizing Google images:
Zelo
Apparently, Zelo finds his chin to be a complex in his appearance, which would explain how often he frequents his signature face masks. Granted, his chin does seem to be a bit rounded against his angular cheekbones, but truthfully, that's hardly a complex. I must admit I experienced quite a delay jumping onto the B.A.P bandwagon. But once I did, game over. Zelo immediately caught my eye, tall stature, pale complexion and all. If his good looks piqued my interest, his stage presence completely sold me. Aside from his playful mannerisms, there's nothing about him as a performer that suggests he's the youngest member of B.A.P - at least not with that kind of maturity.
Kikwang
It's no secret that B2ST's Kikwang isn't the tallest idol to grace the K-pop stratosphere. Kikwang, who's been given nicknames such as "midget" and "kid" stated on a broadcast of MBC's 'Weekly Idol' that "Portal site profiles say I'm 170.8 cm (5'7"). In reality, I'm sure I'm taller than 170 cm. I'm actually still growing right now."
Whatever - if my baby says he's still growing, then he's still growing. Kikwang's miniature size never bothered me because height is the last thing we consider when he performs. Because he carries himself with such alluring charisma, we're never underwhelmed. His unparalleled confidence and the way he genuinely seems to enjoy and thrive on stage help me to look past his smaller stature. Give him to me. I'll take him - all 5'7" of him.
L
When I first saw L's face, I thought to myself, "Omg... my ovaries." Then when I finally composed myself, it was something more along the lines of, "Bravo, Mr. and Mrs. Kim. It seems all the stars aligned when your son's X and Y chromosomes came together."
But then... when I realized that L's alter ego, Kim Myungsoo, is something of a closet dork, that's when I knew, "Yes, I can spend the rest of my life with this guy." With his sharp features and
Luhan
This might sound bratty and grossly characteristic of first world problems, but Luhan's only flaw - at least the only one I could find - is the way he looks. There's nothing about those wide Bambi eyes and plump lips that suggest he's 23-years-old. Rather, his small face and soft features give off the impression that he's a five-year-old kid whom you just want to protect from all the vices of the world (though his midriff would hint otherwise). Luhan, whose name appropriately translates to "morning deer" in Chinese, is known not only for his infallibly cute looks, but for his sweet personality. He's also one of those rare cases where raw talent actually measures up to jaw-dropping aesthetics. Luhan's a considerable force to be reckoned with,
Onew
When I first caught wind of Onew's condition, I knew, deep down in the icy hollows of my heart, that I had found a kindred spirit. Basically, the Onew Condition is an intuitive lack of social finesse that renders everyday activities completely hazardous. If we look at Onew's case, we can already see some of the earlier symptoms: obsessing over chicken, taking falls while walking on flat surfaces, and freezing up the merriest atmospheres with truly lame jokes. One might assume that people can't handle such high doses of awkward in their blood streams - Onew begs to differ.
Sure, his social ineptness is an imperfection, but can we imagine him any other way? God forbid he act normally from here on out - that would very much throw the entire K-pop universe off its axis. It's a flaw I've grown to love not simply because it's uncannily reminiscent of my own social shortcomings, but because it's baggage that I've decided looks well on him.
Surely, because we have preferences of our own, which flaws do you find to be most lovable in your male biases?
allkpop
Goddess of Marriage Episode 11 Preview: Kim Ji Hoon Reveals His Chocolate Abs
In Goddess of Marriage, episode 11, Kang Tae Wook(played by Kim Ji Hoon) will be revealing his chocolate abs. Tae Wook and Song Ji Hye(played by Nam Sang Mi) will be going to a resort for honeymoon, and the two will be going swimming together
In Goddess of Marriage, episode 11, Kang Tae Wook(played by Kim Ji Hoon) will be revealing his chocolate abs.
Tae Wook and Song Ji Hye(played by Nam Sang Mi) will be going to a resort for honeymoon, and the two will be going swimming together.
Before the shooting, Kim was nervous about showing his abs, and did push-ups. Then as the time came, he took his clothes off and showed off his toned body. During the acting, he looked at Nam with eyes full of love.
(Source: Stardailynews)
Goddess of Marriage Episode 11 Preview: Kim Ji Hoon Reveals His Chocolate Abs eng Subtitle. Watch online new korean drama in korean Series. Goddess of Marriage Episode 11 Preview: Kim Ji Hoon Reveals His Chocolate Abs Recap Watch Episodes Reviews
ohkpop
G-Dragon in Blackface Controversy
G-Dragon in Blackface Controversy
When G-Dragon of Big Bang
landed in hot water for smoking pot two years ago, many North American
and European fans scoffed. It’s almost a given that musicians in the
west smoke marijuana and possibly do other drugs. Some musicians, like Snoop Lion (formerly Snoop Dogg),
have practically built a career on the image. But now, G-Dragon has
managed to land himself in hot water with some of his fans out west. On
Tuesday, G-Dragon posted an image of himself on Instagram with his face
circled by a t-shirt and covered in something black with the caption
“X.” Controversy erupted in the international G-Dragon/Big Bang fandom
known as the VIPs.
Some fans, including many who are part of the African diaspora,
expressed varying levels of concern and outrage at G-Dragon’s portrayal
of what is known as blackface. Others expressed outrage at people for
expressing concern. Multiple VIPs at BigBangUpdates.com reported seeing
first hand that G-Dragon commented on the Instagram photo to say that it
was a clay mask, but Instagram’s coding prohibits users from seeing
comments beyond the most recent ones. As of print time, no screenshot
has been found. Others there and elsewhere noted with skepticism that it
is unusual to put a clay mask on one’s eyelids. Trying to make sense of
the caption, some suggested that it was an homage to X-men’s Nightcrawler character, albeit in the wrong color. (It should have been blue.) Getting in on the action, SPIN Magazine then took the story in a direction that surprised and upset many, reporting that G-Dragon’s photo was an unfortunate attempt to show solidarity with the Trayvon Martin memorial movement. The Los Angeles Times and the Guardian (UK) then re-reported SPIN’s interpretation of events as if they were facts, eventually prompting YG entertainment to respond with the claim that the face covering was face paint for a photo shoot, that nothing offensive was intended, and G-Dragon’s face was painted multiple colors that day.
Superficially, this may seem like a story about a mistake/misunderstood intentions, a defensive fandom, and sensationalizing reporters. But it is not that simple. While some fans could not understand why the photo was such a big deal, for others it was deeply personal. The terrible history of blackface and its uses is well documented. People from the US in particular are aware that the use of blackface is like the visual version of the N-word; while both still happen, it is not acceptable for non-Black artists to engage in them. Looking to Europe, and at Germany and the Netherlands in particular, controversy erupts each December as performers don blackface to portray Sinterklaas’s assistant, Zwarte Piet (Black Pete).
For many of the people of African descent living in these places, blackface evokes memories and images of a terrible time when Black people were caricaturized as stupid, subhuman puppets, legally considered to be three fifths of a human, and in certain parts of the world, lynched and murdered at will, just for walking down the street or daring to express romantic interest in a white person. These narratives are especially well known to North Americans, but they are not limited to one continent.
White supremacist ideas about people of many ethnic
backgrounds, including African Americans and groups from all over Asia,
were exported both through the process of colonialization and also
through western media and cultural influences. It is really not
surprising, then, that the blackface idea would pop up again and again
in Korea and in K-pop. While G-Dragon may not have intended it, his post
became a site for racist commentary by some members of his global
fanbase. Multiple commenters, writing in Korean, Dutch and Chinese
referenced Zwarte Piet, excitedly noted that he was putting on US
President Obama’s face, and made other unsavory comments along those
lines. Likely without planning to do so, G-Dragon managed to bring the
racist out in some VIPs. And that meant that the VIPs who are Black, or
otherwise sensitized to the Afro-diasporan experience, were exposed to
racism simply because they were following their idol on social media.
For that alone, G-Dragon should apologize. His genius and
his success have been driven by a uniquely skilled use of Afro-diasporan
musical forms. The least he can do is show respect for the culture he
borrows from, the people who made it, his fans and their experiences.
Not only is this the right thing to do, but at the moment, it is the
expedient thing to do. Later this month G-Dragon is heading to KCON in
Los Angeles, home to the seventh largest Black population in the United
States. Along with New York City, Los Angeles is one of the two most
important sites for the development of rap and hip-hop, musical forms
that were shaped by socioeconomic ghettos. These ghettos were in turn
shaped by racism that was and sometimes still is manifest in blackface.
To truly understand his craft, G-Dragon needs to understand this
fundamental fact: his musical ancestors were the victims of blackface,
and their music was, in part, a revolutionary strike against the
dehumanization that blackface represents.
It is simple to say that there is no reason one should expect G-Dragon
or anyone in the K-pop industry to be sensitive to this. But in the end,
that can be overly generous. To delve so deeply into the music of a
community but not to learn anything about the community that made the
music is a selective awareness that represents a failure on the part of
the artist and his management, and this is not the first time, not even
for G-Dragon. Some consider this kind of insensitivity to be an ongoing
problem with Korean performers: a lack of consideration for the
feelings, memories, and stories that are evoked when someone with their
face painted black is looked upon. Now might be the time to get with the
program. Efforts to export Hallyu to a broad North American and Latin
American audience will necessitate making inroads with diverse audiences
that include people of African descent.
Some of the controversy stems from the question of who gets to
determine when a mistake is a big deal. To better understand this
question, it’s important to recognize that these decisions, and each
individual’s thinking about them is shaped by broader societal choices
about defining and dealing with “racism.” Some forms of racism are so
vicious, such as calling the cops on a Black kid in a hoodie because
someone assumes, based on appearance, that he is a criminal, that
sometimes more mundane racism gets a pass. Scot Nakagawa writes
eloquently about this: And as with all kinds of oppression, racism is ultimately kept in place by violence and the threat of violence (think in terms of lynchings, cross-burnings, KKK raids, etc. throughout our history). Simple prejudice seems pretty minor by comparison.
And therein lies the problem. It’s true that what G-Dragon did, at the end of the day, isn’t going to get anyone killed or leave anyone terrorized in their own home. But if that’s our only standard for what’s unacceptable, that’s a pretty low bar.
Speaking of low bars, this story was further complicated by at least one reporter at SPIN Magazine who seems to think that his assumptions pass for journalism. On top of that, a reporter at the LA Times and another at the Guardian (UK) seem to think that a SPIN Magazine article with no sources counts as a source. It’s hard to believe that this story would have been reported the way it was if the artist involved had been North American or European. Implicit in the storytelling seemed to be the assumption that G-Dragon, as a Korean artist, was well intentioned but couldn’t understand the symbolism of the actual hoodie and was too stupid to know that blackface was not the way to show solidarity with Trayvon Martin’s family. This analysis both lets G-Dragon off the hook way too easily, makes inappropriate assumptions about G-Dragon’s ability to learn from past mistakes, and ignores his financial success and social standing.
Moreover, it was very US-centric. There is no reason to think that selfies in a hoodie has become a reference point for Korean artists or their Korea-based fans. There is no reason to think that the statement would have been obvious without a proper caption, and even many of the American images made an effort to clarify the connection. If the image was meant to be an homage to Trayvon Martin, doesn’t it seem like he might have captioned the photo with something other than “X”?
In the end, this incident has provided us with an
opportunity to pause, assess and learn from one another. The western
press needs to do a better job of reporting on Korean artists. They are
just as legitimate and important as European and North American artists.
They are just as worthy of proper sourcing of stories, and they are
just as human in their capacity to make painful mistakes. G-Dragon has
certainly shown us this side of himself. Only time will tell if he can
build on what he hopefully learned from the many VIPs who lovingly
chided him. Ideally, he will acknowledge the power he has to bring both
joy and sorrow into the lives of his fans, and by setting the right
example, he will teach VIPs to show sensitivity to each other’s
experiences.
For my part, GD is my number one bias, and I am Afro-Carribean
American. The last few days have been hard for me. Seeing that image
gives me a sinking feeling in my chest every time I see it. But I know
that growth is possible, that G-Dragon is a genius, and hopefully those
two truths will lead to a G-Dragon that I will love even more, if not
tomorrow then soon enough. (Instagram [1], SPIN, Los Angeles Times, Guardian (UK))
ohkpop
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